Every night, while watching whatever with Mrs. Blue, I pick skin off of the pad of my big toe and/or finger tips until there is barely a yellowed layer left. 7 out of 10 times I bleed, and go to the bathroom for a band-aid. Dress the wound to the sound of Mrs. Blue's perfunctory "Babe!" while the Great British Baking Show echoes through the screen door, letting any passers by know that we are Normal People participating in Normal Nightly Brain-Rot, with a couple'a cats to boot.
I've learned to hop on one foot to the bathroom once the bleeding starts, lest I be chastised for the thousandth time for leaving candle-drip stains along the carpet. I have tasted my own blood so many times it has come to be as Ritual as the daily gulp of dill pickle juice. Its flavor is so familiar that I often wonder whether a stranger's gore would shock the palette, or instill the notion that we are all truly One under the sun? I have no interest in drinking anyone else's blood to find out. Makes me think of AIDS or rabies or The Craft. Fairuza Balk's monster mouth.
I've picked my toes for as long as I can remember. Switching to vaping, and now toying with lowering the nicotine content, has exacerbated the shit out of it. I have to watch out if I wear open-toed shoes in public. If waiting at the DMV, I'm sure to absentmindedly repulse like the basement dweller I could and should have become. Don't bleed on people, people. Don't leave a mess to be mopped.
All this is to say that I need to grow up. I'm 35 and almost married. I tried reading something that well-adjusted, principled, well-meaning people read (The Argonauts) and threw it across the room. I spent $16 on it at a Parnassus Books! Am I supposed to care as much as Nelson does about the cultural and ethical repercussions of every instinct-based decision I make? To be a walking mirror? Is that how the good people live? The wisened ones? It must be exhausting (though I am a cis white male so take all this in brackets and apocryphalia and blarney. Consider me Divine, eating shit).
Sometimes I tear a particularly long piece of calloused big toe skin off with my teeth. It is very satisfying to masticate and swallow.
Wednesday, September 25, 2019
Sunday, September 22, 2019
Saturday, September 21, 2019
Review: MOUNTAINHEAD by New Juche
Here I sit in my Compacty Blacky's (black version of tighty whiteys, you're welcome), last night's sweat breeding a gummy, urine-colored layer of film over my body. I must have rolled around a lot in fevered dream convulsions, and I also happened to finish New Juche's slim book before bed. It feels apt that my body appears to have come to blows with venereal phantoms throughout the night, since Mountainhead is a hypersexual masterpiece of venomous propulsion.
It is part autofiction, travelogue, memoir, incantation, and exorcism. A journal of a man I grew to fear and respect, full of prose so vivid I could feel the soil of Southeast Asia clogging my veins. There are pictures, as well, to help orient you. Juche explores this landscape not as an expat or an observer, he inserts himself primordially, assimilating with orifices of the living and the dead. Trees, animals, mushrooms, and prostitutes.
New Juche is exploring this humid continent as a deviant despot, but one with a Freudian compassion and beautiful lack of control. A lack of control only for the sensual bounds that most humans don't even attempt to explore. In a normal person-to-person transactional sense, Juche is a blessed, if frenzied compatriot.
Pod and I not only tolerated, but derived a curious pleasure from washing Martin's exhausted body and laying it down carefully on his cot...We would fold his leathery wings behind him in silence...Martin's skin would become damp, and then cursed with a froth of creamy soap...which fell away like scales...I was especially gentle and respectful with the papery skin that covered his thighs, and the wooden, vegetable quality of his kneecaps...When Martin is dead, I thought, we'll roll dice made from his kneecaps.
In ascending the mountain with Juche, I had the youthful urge many times to drop the job, the fiancee, the cats, walk the earth like Jules and assimilate with foreign and dangerous fauna. This is a dangerous book if you are of a certain constitution that flirts with arrested development and nihilism. Juche slowly expatriates himself from humanity and I am not certain what he found on the mountain, even though he narrates his journey exquisitely, because this is literature so personal and fevered that I came to tears. All while Juche came on the world, jism as a sort of language, as if his penis was constantly mourning.
I nuzzle and rub my face in the mud as a passionate apology and feel blood pump sparingly but steadily into my penis, not because of the soil or the rain, or the sensation of it on my face and eyes or in my mouth, but out of the satisfaction I derive from my virtuoso gesture of sensitive capitulation. And then there is that visceral spasm that my language has yet to capture, that draws from the liberation attained through abject behavior, and the Great Warm Ecstasy that one feels absolutely beside one in these moments (do you know these moments?), like a giant bubble that could be leapt into, but only ever recedes like the object of desire in a dream. And you'll agree that my harmony is the touchstone, my attribute, and that the danger and hunger I bravely endure are real and necessary, and have qualified my ascension.
This might even be a harmful book for young, explorative minds. If I had read this in my teens, I might've continued on the path of pain that I eventually veered from before it was too late. But then again, what options do Generation Z, or whatever they are called, have? The sacred is evaporating, burning up, empty overgrown tracts to fornicate upon (mentally or otherwise) are peopled and walled in. We ain't in Walden anymore.
New Juche is buttressed in extinction, and I imagine he will die there before the Main Event, crying and smiling and masturbating as it all burns away in front of his eyes. He seems to be alive and well right now, and I need more.
Tuesday, August 6, 2019
Review of: Thunderbird and the Ball of Twine (a Folk Tale) by Juli Kearns
https://auditorsounds.bandcamp.com
I came across Juli Kearns by way of her Website, a large part of which is dedicated to the analysis of film. Specifically, it was her very in-depth screeds on the works of Stanley Kubrick that captured my imagination (I believe she is also part of the documentary Room 237). In many of these, she goes into frame-by-frame dissections, picking apart small continuity discrepancies and inferring pounds of meaning and discordant connections throughout the films that the reader can choose to believe or not. Much of her film writing can come across as conspiratorial, or "seeing things that aren't there," but the mere density of her analysis, combined with inventiveness and creativity in her writing, make it obvious that she possesses a passionate and complex mind.
So, browsing around her website, I was intrigued to find that she was also an author of literary fiction. I bought the only book available on Kindle at the moment (I'm going through a purge, promised myself not to buy any more real books until I offload an armful), which happens to be Thunderbird and the Ball of Twine (a Folk Tale).
I was not let down by Kearns' imagination, but was surprised by how much I came to care about all of the characters (not just the two protagonists, every one of 'em). The story, without getting into spoiler land, follows Odile and Johnnie, two interestingly-named young adults. They are both artists in the midst of toxic relationships and are searching for themselves in a world full of anxieties, minor revelations, ennui and pain (much like all of as are, or were at one time or another). The sighting of a U.F.O leads to a car crash that unites these characters, spinning them into a web of frightening and hilarious situations.
The prose style is occasionally dense, but always alive and bristling with energy. It can go from chunks of stream-of-consciousness, ala Woolf, to dialogue-heavy jousts like the best of detective fiction. There are also small lyrical miracles that electrified my arm hair. The reader in me wanted more, the writer in me wanted advice.
Here are some quotes that I highlighted:
He didn't question the situation as he felt behind it one of those question marks that should be allowed a generous length of highway to straighten its story out as time thought best.
All it takes is a little patience and people will automatically assume you are clever without your having uttered a single word.
...those thousands of books in his apartment, a sarcophagus of collective mind, a majority of the writers dead yet still speaking continually whether he opened the covers of the books or not, the letters were there, those squiggle snakes of symbols representing thought, breath of thought, ideas, stories, awaiting rebirth in yet another mind, waiting to partake of human existence again, to wake inside another brain, a body with all its jingle jangle hormones and electrical charges, waiting to find form in muscle, bone, flesh and blood again.
"Where are you going? Cliff asked. "I thought we had plans to make plans to do something today."
"They don't think about what they're doing, they just do it. That's one of the big problems with humans, we think too much. Free will killed our instincts, we have to plan. Free will is why people need motivation and inspiration and animals don't. Birds and butterflies don't need motivation seminars to go south for the winter. A salmon doesn't need encouragement to swim upstream to its death. Success at being a salmon is built in. We've been incapacitated by thought."
"Maybe every aspiring artist or writer should first have to prove that they can sell their share of snake oil."
Post apocalyptic scenarios demand at least one survivor make sense or insensibility of civilization's husk else the cinema will be still life.
Being that she was a skeptic, she was surprised, when she thought about it, that she believed one hundred percent in so much that was unknown, a veritable infinity of unknown. How could she be a skeptic and believe one hundred percent in the unknown?
Lights rise in the theater and one person would realize that gold flash as a caution light, even a warning to not proceed, don't enter the crosswalk now, maybe never, while another would see green, go, an urgent and personal message to make for the Swiss hills where the flowers dance around lakes of chocolate and there is more than enough cowbell for everyone, and even beyond, to the Himalayas and Mt. Everest, where the illumination is received that melt glaciers aren't lemons but an opportunity for the best water park slide there ever was.
One could try to rise above the life of the senses but the archaeologists and anthropologists would be appeased with fish bones and clam shells at trail's end.
Most minor characters in Thunderbird and the Ball of Twine (a Folk Tale) are more interesting that some main characters in other novels I've read. Each offers a fully-realized view of the world, some strange, some deranged, some prophetic. I cried, I laughed, I will remember portions of this story forever.
Juli Kearns' work deserves to be read by everyone that loves serious literature. I purchased her most recent novel, The Rhetoric of Streets from her Lulu.com page, and can't wait for a new glimpse into her fascinating mind.
I came across Juli Kearns by way of her Website, a large part of which is dedicated to the analysis of film. Specifically, it was her very in-depth screeds on the works of Stanley Kubrick that captured my imagination (I believe she is also part of the documentary Room 237). In many of these, she goes into frame-by-frame dissections, picking apart small continuity discrepancies and inferring pounds of meaning and discordant connections throughout the films that the reader can choose to believe or not. Much of her film writing can come across as conspiratorial, or "seeing things that aren't there," but the mere density of her analysis, combined with inventiveness and creativity in her writing, make it obvious that she possesses a passionate and complex mind.
So, browsing around her website, I was intrigued to find that she was also an author of literary fiction. I bought the only book available on Kindle at the moment (I'm going through a purge, promised myself not to buy any more real books until I offload an armful), which happens to be Thunderbird and the Ball of Twine (a Folk Tale).
I was not let down by Kearns' imagination, but was surprised by how much I came to care about all of the characters (not just the two protagonists, every one of 'em). The story, without getting into spoiler land, follows Odile and Johnnie, two interestingly-named young adults. They are both artists in the midst of toxic relationships and are searching for themselves in a world full of anxieties, minor revelations, ennui and pain (much like all of as are, or were at one time or another). The sighting of a U.F.O leads to a car crash that unites these characters, spinning them into a web of frightening and hilarious situations.
The prose style is occasionally dense, but always alive and bristling with energy. It can go from chunks of stream-of-consciousness, ala Woolf, to dialogue-heavy jousts like the best of detective fiction. There are also small lyrical miracles that electrified my arm hair. The reader in me wanted more, the writer in me wanted advice.
Here are some quotes that I highlighted:
He didn't question the situation as he felt behind it one of those question marks that should be allowed a generous length of highway to straighten its story out as time thought best.
All it takes is a little patience and people will automatically assume you are clever without your having uttered a single word.
...those thousands of books in his apartment, a sarcophagus of collective mind, a majority of the writers dead yet still speaking continually whether he opened the covers of the books or not, the letters were there, those squiggle snakes of symbols representing thought, breath of thought, ideas, stories, awaiting rebirth in yet another mind, waiting to partake of human existence again, to wake inside another brain, a body with all its jingle jangle hormones and electrical charges, waiting to find form in muscle, bone, flesh and blood again.
"Where are you going? Cliff asked. "I thought we had plans to make plans to do something today."
"They don't think about what they're doing, they just do it. That's one of the big problems with humans, we think too much. Free will killed our instincts, we have to plan. Free will is why people need motivation and inspiration and animals don't. Birds and butterflies don't need motivation seminars to go south for the winter. A salmon doesn't need encouragement to swim upstream to its death. Success at being a salmon is built in. We've been incapacitated by thought."
"Maybe every aspiring artist or writer should first have to prove that they can sell their share of snake oil."
Post apocalyptic scenarios demand at least one survivor make sense or insensibility of civilization's husk else the cinema will be still life.
Being that she was a skeptic, she was surprised, when she thought about it, that she believed one hundred percent in so much that was unknown, a veritable infinity of unknown. How could she be a skeptic and believe one hundred percent in the unknown?
Lights rise in the theater and one person would realize that gold flash as a caution light, even a warning to not proceed, don't enter the crosswalk now, maybe never, while another would see green, go, an urgent and personal message to make for the Swiss hills where the flowers dance around lakes of chocolate and there is more than enough cowbell for everyone, and even beyond, to the Himalayas and Mt. Everest, where the illumination is received that melt glaciers aren't lemons but an opportunity for the best water park slide there ever was.
One could try to rise above the life of the senses but the archaeologists and anthropologists would be appeased with fish bones and clam shells at trail's end.
Most minor characters in Thunderbird and the Ball of Twine (a Folk Tale) are more interesting that some main characters in other novels I've read. Each offers a fully-realized view of the world, some strange, some deranged, some prophetic. I cried, I laughed, I will remember portions of this story forever.
Juli Kearns' work deserves to be read by everyone that loves serious literature. I purchased her most recent novel, The Rhetoric of Streets from her Lulu.com page, and can't wait for a new glimpse into her fascinating mind.
Sunday, July 7, 2019
Incel Rhyme
CHAD made a CUCK out of CHUCK
and a BUCK was ENOUGH for a FUCK
cuz his BUFF manly NUTS made her BLUSH
so they CRUSHED in the LUSH bed of CHUCK
bed of TEARS many YEARS not a SMEAR
did APPEAR really DEAR it is CLEAR
Chuck's GEAR was a MERE little QUEER
little GUY for his WIFE to DERIDE
and CHASTISE in the NIGHT while she LIE
in a Y with a VIBE 'tween her THIGHS
and a BUCK was ENOUGH for a FUCK
cuz his BUFF manly NUTS made her BLUSH
so they CRUSHED in the LUSH bed of CHUCK
bed of TEARS many YEARS not a SMEAR
did APPEAR really DEAR it is CLEAR
Chuck's GEAR was a MERE little QUEER
little GUY for his WIFE to DERIDE
and CHASTISE in the NIGHT while she LIE
in a Y with a VIBE 'tween her THIGHS
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